Series 5, Episode 24, Originally Broadcast 8 March 1955                                                   

                                                The Yehti

Wallace: This is the BBC Home Service

Peter: Aaaaaajh! What's on the telly?

Wallace: You will find the answer to that question in the Radio Times, price
                 thruppence. Three copper coins, mark you, and by Jove, it has
                 become so interesting I would much rather settle down and read it
                 than listen to the radio any day

Harry: Didn't you once have a photograph in the Radio Times, Mr.
            Greenslade?

Wallace: I did indeed, page 12, March the 14th 1935, and strangely enough I
                happen to have 4 copies with me now

Harry: Well take them off and put a shirt on. The nation is standing by to hear
             you give them the old wireless talking there. The old posh chat there

Wallace: Thank you. Ladies and gentlemen here is our usual warning to those
                 of a nervous disposition, those without a nervous disposition and
                 those still on the waiting list

Harry: It's the esteemed Goon highly Show

ORCHESTRA: TA DA

Peter: That was the orchestra under the direction of Wally Stott. Arthur Cruge
            first trumpet, Mervin Clap bugle, Hessyiar Kippstraw spoons, Fred
            Crint Chinese symbol, temple blocks and loose table-mats. The stool
            arranger was Herman Tig. They have agreed, in conjunction with the
            NUR, to play the theme music of -  

Harry: The Yehti!

ORCHESTRA: TA DA

Harry: Why, it's a catchy tune, that, you know? Everybody will be whistling it
            tomorrow, you know?

Omnes: whistles TA DA

Wallace: Our scene opens in an upright, pre-fab on Carshaltom  Marshes.
                 It's the home of Ned Seagoon: philosopher, scholar, friend and foe,
                 unemployed, wedding cakes a speciality

Neddy: I love my little home. And I like nothing better than to sit by my own
             fireside watching television in the next house but one. Yes, there's
             something to be said for thin walls. And one night in the middle of
             "Quite Contrary" - yes it was "Quite Contrary" - I remember, because
             I was asleep at the time. Suddenly there was a knock at the door

FX: KNOCKS ON PAPER DOOR, RIPS A LITTLE

Neddy: Curse these pre-fabs. Come in!

FX: DOOR OPENS

Grytpype: I'm sorry, I appear to have put my foot through your door

Neddy: That's all right, I'll get a bit of plaster

Grytpype: Oh don't worry, I've only bruised my knuckles

Neddy: I was thinking about the door (laughs to himself, clears throat) If I'd
             known I was having visitors I wouldn't have given the staff the night
             off. I doubt there is a maid left (laughs to himself) Pull up an orange 
             box

Grytpype: May I?

Neddy: Yes, I'll stand

Grytpype: I've been watching you for some time

Neddy: Oh, have you?

Grytpype: Yes, not a pretty sight. You are Ned Seagoon, unmarried, no
                  family-ties, British, occupation, er -

Neddy: I run my own business in the West End

Grytpype: Oh yes, in Oxford Street isn't it?

Neddy: Yes

Grytpype: That's right, I bought a balloon off you

Neddy: Yes you did. (Aside) As the man perused his notes I looked him up
              and down. He had a high forehead just above his eyes and an
              acrylic nose with a couple of nostrils at the bottom. His jacket was
              so beautifully cut and his trousers were torn as well

Grytpype: Neddy -

Neddy: He said

Grytpype: - I've been thinking...

Neddy: He paused

Grytpype: Neddy -

Neddy: He repeated

Grytpype: I think you're our man

Neddy: Me?

Grytpype: He replied

Neddy: But I don't understand!

Grytpype: He vouchsafed. Don't you Neddy?

Neddy :He proclaimed

Grytpype: Then I said -

Neddy: Are you with us Ned? To which I replied -

Grytpype: Yes! Then I told him my name

Neddy: I'm Hercules Grytpype-Thynne of the East Acton Geographical
            society -

Grytpype: He said I said

Neddy: Then I said -

Grytpype: Goodnight, and out he went, while I settled down to watch telly in
                   the next house but one

Neddy: In order to learn more I went straight to the East Acton Geographical
             Society. Once there I enquired for Mr. Grytpype-Thynne  

Willium: He's not back yet, he went to lumber some charley in Carshortam

Neddy: I live in Carshortam

Willium: I should go through, charley, the meeting's just starting

Neddy: And for the first time I entered inner-sanctum of the East Acton
             Geographical Society

FX: DOOR OPENED

Omnes: crowded meeting sounds

Peter: Now me must have an experienced climber

Spike: May I suggest Hillary?

Peter: Yes, that's a good idea, suggest him

Spike: What about Hillary?

Peter: No. Any more suggestions?

Harry: What about Sir John Hunt?

Peter: Sir John Hunt? Has he had much climbing experience?

Harry: He has that. Everest 1953

Peter: Everest 1 9 5 3 - good, I'll phone him later

Neddy: If I may butt in, sir, perhaps I'm your man. My name is Ned Seagoon,
             I'm unmarried, no family-ties, British, and I'll go wherever needs-be

Moriarty: Ah, wait, are you by any chance the Monsieur from British
                 Carshortam?

Neddy: Yes

Moriarty: Yes, this is definitely him. You have been chosen from thousands
                  of charleys to bring back a Yehti, to-whit an abominable snowman

Neddy: Leave it to me. I'll leave for the Himalayas first thing tomorrow. The
             mystery that has shrouded this creature shall remain a mystery no
             longer. (laughs to himself) The annals of history will ring with the fair
             name of Ned Seagoon, the man who made possible research for the
             missing link. Remember the name, gentlemen, Ned Seagoon. (sings)
             For he's a jolly good fellllllow, and so say all of usssss!

FX: KNOCKS ON DOOR

Neddy: Yes?

FX: DOOR OPENS

Grytpype: You silly twisted boy, you!

Neddy: Hello Mr. Thynne, I got here

Grytpype: Yes. Well now, as you probably would have been told, Yehti
                  tracks were reported last week

Neddy: Last week? But Yehti tracks were seen years ago

Grytpype: In Yorkshire?

Neddy: Yorkshire? Here in England?

Grytpype: Yes

Neddy: Oh that's different, I mean -

Moriarty: Remember, the man who finds the Yehti will be rich

Neddy: Then why don't you go?

Grytpype: You see, Neddy, the Yehti is an unknown quantity, as yet(i).
                  Rumour has it that a Yehti has the ability to take possession of
                  your mind

Neddy: Possession of my mind?

Grytpype: What have you got to lose?

Neddy: No no, I won't go! I won't! Yes, you can call me a coward if you like

Moriarty: We will pay you £50 for one Yehti

Neddy: How dare you call me a coward! I leave for Yorkshire at once

GRAMS: WHOOSH, DOOR SHUTS

Grytpype and Moriarty: (sings) April in Paris!

Grytpype: Moriarty?

Moriarty: Yes?

Grytpype: If there's a Yehti on the Yorkshire Moors that charley will bring it
                  back

Moriarty: And how much is a Yehti worth, again?

Grytpype: Priceless, you can't get them you know

Grytpype and Moriarty: (sings) April in Paris! Let's have some music!

MUSIC: MAX GELDRAY AND ORCHESTRA

Wallace: The Yorkshire Yehti, part 2, 3 days later; or part 3, 2 days later I
                really couldn't care less. Ned Seagoon was fighting his way through
                the terrible blizzard of '55 to Denshire across the Yorkshire Moors.        
                The drifts were 15 feet high and snow was expected

GRAMS: BLIZZARD

Neddy: Oooh! I had to find Long Willie's Croft. This was a house on the                     
              lonely moors from which Yehti tracks had first been seen. On and on
              I stumbled through the inky darkness. First one leg and then the other 
              which I found was the best way of walking. Then, when all seemed
              lost I saw a light - 

ORCHESTRA: DRAMATIC DESCENDING LINK, LONE HARP

Neddy: Yes! Long Willie's Croft. The man who has given me directions at
              Piccadilly Circus had been dead right

FX: KNOCKS ON DOOR

Neddy: Open the door!

Minnie: Ooooh! It's the Yehti! We'll all be murdered in our beds!

FX: KNOCKS ON DOOR

Neddy: I'm not a Yehti! I'm Ned Seagoon. I'm a human

Minnie: You'll have to prove it, buddy. Put a photograph of yourself through
               the letterbox

Neddy: Where can I get a photo of myself at this time of night?

Minnie: You can borrow my camera

Neddy: Thank you

FX: DOOR KNOB TURNED, CHAINS TAKEN OFF, OPENED, SHUT

Minnie: I'll get the tripod and the black cloth

Neddy: I can't take a photo when it's dark. I'll have to wait 'til morning

Minnie: Ah, you'll have to see Henry Crun about that

Neddy: Henry Crun?

Minnie: That's his name. I think he's down in the coal-cellar getting the coal,
               you know?

Neddy: Well you can't get the wood, you know?

Minnie: You can't, ying-tong-iddle-I-pong

Neddy: Good!

Minnie: Good. I'll go and fetch Henry, oh dear dear

Neddy: I'll come with you

FX: FOOTSTEPS WALKING ALONG

Neddy: Steady now

Minnie: Hold on to me

Neddy: Do you come here often?

Minnie: Only in the spring

FX: DOOR OPENED AND SHUT

Neddy: (echoey room) Oh, I say! Sounds like a large coal cellar

Minnie: Yes, it's a mile to the coal-face, you know? Henry? Henry?

Neddy: Mr. Crun? I say, wouldn't it be better if I struck a match?

Minnie: Mercy save us, no! The driver wouldn't like it

Neddy: The driver

GRAMS: TRAIN WHISTLE, COMES FLYING PAST

Minnie: He's late again tonight

Neddy: That was a train!

Minnie: Yes, it's a busy time right now, you know?

Neddy( (gulps) I remembered Mr. Thynne's words

Grytpype: (evil echo) Take possession of your mind!

Neddy: Oh no!

Grytpype: Your mind!

Neddy: No!

Grytpype: Your mind!

Neddy: Heeeelp!

GRAMS: WHOOSH

Neddy: Ah, in two seconds I was up the stairs again. Was  I losing my mind?
             Was this a trick of the fiendish Yehti?

Henry: Ah, Mr. Seagoon

Neddy: Mr. Crun, a train just ran through your cellar

Henry: A train? My goodness, what time is it?

Neddy: 12.56

Henry: Ooh quick! Open that door!

FX: DOOR OPENS

GRAMS: TRAIN WHISTLE, COMES FLYING PAST

FX: DOOR SLAMMED

Henry: The Mails must go through, you know?

Neddy: Mr. Crun I must talk to you about the Yehti. Is there a room in the
             house that trains don't run through?

Henry: Oh yes, in there

Neddy: Thank you

FX: DOOR OPENED

GRAMS: SHEEP BAAING LOUDLY OVER SPEECH

Neddy: Mr. Crun? Mr. Crun? I must tell you about the Yehti. It's very
             important! Mr. Crun?

FX: DOOR SLAMS, GRAMS STOP

Neddy: We can't talk in there

Henry: No. I don't know who that lot belong to

Neddy: Mr. Crun, now about this Yehti

Henry: Yes, yes, I saw the tracks and - oh what time is it?

Neddy: 12.59

Henry: Stand well back! Stand well back!

FX: DOOR OPENED

GRAMS: TRAIN GRINDS TO A HALT

Henry: Well, good night Mr. Seagoon. Have a pleasant trip

Neddy: Yes I will, thanks very much. But Mr. Yehti, I mean Mr Yehti about
             this Crun - Mr. Crun?

GRAMS: TRAIN STARTS PULLING AWAY, CHUGS OVER SPEECH

Neddy: What's going on here? Why have I been bundled on this train? What's
              going on? 

Bloodnok: I say!

Neddy: I'm sorry,  I didn't see you there

Bloodnok: I say, are you the ticket inspector?

Neddy: No

Bloodnok: Then help me out from under this blasted seat, will you?

Neddy: There you are, that's it

FX: OVER STRUGGLE BITS OF METAL CRASH

Neddy: There. I'm a tenor, you know?

Bloodnok: The tenor's frame

Neddy: Yes. My name is Ned Seagoon

Bloodnok: Ned Seagoon? Well well well, what a coincidence! Seagoon! Yes
                   of course, I remember. Didn't your father have a son?

Neddy: Oh I never asked him about his private affairs

Bloodnok: Seagoon, of course, of course, yes! I knew your father before you
                   were born

Neddy: I didn't

Bloodnok: I wish you had, things might have been different. And, er, tell me,
                   he left you all right did he?

Neddy: Oh yes, I need never want

Bloodnok: Splendid, splendid! Yes, yes lad! You know I always remember the
                   look in your father's eyes when I lent him the money

Neddy: What money?

Bloodnok: Oh, laddie, there's no need for you to pay your father's debts, I
                    won't hear of it! I mean, what's £20?

Neddy: £20?

Bloodnok: Oh don't worry about it, it will do in a moment, I'm in no rush 

Neddy: But I only brought a few pounds with me

Bloodnok: Well if you insist I accept

Neddy: But it isn't really mine to give, this is the reward money for the
             information regarding the Yehti

Bloodnok: Murgle-me-rogers! You couldn't have come to a better man. I used
                   to go to school with a Yehti

Neddy: Yes? Good, good. Now tell me, are they tall and shaggy or squat with
              smooth skin?

Bloodnok: Yes they are

Neddy: Oh, and they walk up like humans and have the powers of telepathy
             and in actual fact they are the missing link, the step from animal to
             man in one direction while in another far higher in intelligence and
             having the ability to possess one's mind

Bloodnok: Is there any more information I can give you?

Neddy: Thank you, thank you no. You've given me enough to work on,
              indeed! Well here's the money and thanks once more. No, there's just
              one more question

Bloodnok: Oh?

Neddy: Where can I find this Yehti?

Bloodnok: Well, before I answer that question I think, um, another couple?

Neddy: Oh yes, yes. Here you are

Bloodnok: Thank you

Neddy: Now where can I find this Yehti?

Bloodnok: I've no idea

Neddy: But I've just given you some money

Bloodnok: For information regarding the whereabouts of the Yehti you must
                   get off - here!

Neddy: Wait!

FX: DOOR OPENS

GRAMS: TRAIN WHISTLE, COMES FLYING PAST

Neddy: Aaaaaah! I was left in the pitch dark of the Yorkshire Moors. I was
             just about to run after the train when I felt a hand on my arm

Eccles: Hello. Did you hear that, I got the sausages! I'll tell Bluebottle

Neddy: Eccles! What are you doing here?

Eccles: Same as you, waiting for Ray Ellington and his Quartet. That's a good
              introduction isn't it?

MUSIC: RAY ELLINGTON AND HIS QUARTET "Make Yourself
                Comfortable (baby) / Ready, Willing and Able"

Neddy: That's better. Now Eccles, will you help me to find this Yehti?

Eccles: How do we find it?

Neddy: We have to find his tracks first. That shouldn't be difficult, they're
              about 18 inches long and 10 inches wide

Eccles: Oh, nearly as big as mine

Neddy: We start at once

Eccles: Mr. Seagoon, can I bring a friend?

Neddy: Friend? There's only one thing that can befriend Eccles and that is a
             Yehti! As casually as I could I asked him. He isn't about 12 feet tall 
             with hair all over him, is he?

Bluebottle: No I'm not. Enter Bluebottle with a smile and a song. Stands waist           
                    deep in snow, smiles grimly, jabs alpen-stock in to snow - ooh
                    my foot!

Eccles: This is my friend

Bluebottle: Hello Eccles

Eccles: Hello Bluebottle

Bluebottle: Here we are again, this time on the Yorkshire Moors. Thinks: Here
                    we are again, this time on the Yorkshire Moors

Neddy: Now listen to me, icicle pants. Are you willing to join us on the search
             for the Yehti?

Bluebottle: Yes, my cap-i-tain, I will join you. And Eccles will join us too,
                     won't you Eccles? Forward! Moves forward, but feet are frozen
                     to ground. Falls flat on face. Pretends to be examining track

Neddy: And so we planned our search for Yehti tracks. After long discussion
             we decided that the best place to look was in the snow. Our search
             commenced

Bluebottle: I say, Eccles?

Eccles: Yeah?

Bluebottle: How's your little pussycat getting on?

Eccles: Fine, fine! It just had 6 puppies

Bluebottle: Could I have one, Eccles? I would see that no one touches them
                     for you. I will treasure it, I will

Eccles: Okay then, you can have 2 of them

Bluebottle: Tee-hee! 2 little bow-wows. Do you know what I will call them? I
                     will call them  Mick and Pat

Eccles: Ooh, Mick and Pat! Ho-hum! I know a story about Mick and Pat

Bluebottle: So do I (both laugh)

Neddy: Eccles, Bluebottle, what's that?

Bluebottle: Well you see, Mick goes to the doctors -

Neddy: No no, look! Yehti tracks!

Eccles and Bluebottle: Oooh!

ORCHESTRA: 3 SINISTER DESCENDING CHORDS LINK

Neddy: Those tracks led us to a disused farm house. The door was closed. It
             only remained for someone to go in and capture the Yehti

Eccles and Bluebottle: panic

Neddy: No, wait. Don't worry, I'll go. But first, I want you to do something
             Eccles

Eccles: Yeah?

Neddy: Just nip inside and see if the coast is clear

Eccles: Okay. That's if we all go in together

Neddy: Oh, we'll search the house. Leave the door open so we can dash out if
             needs-be

FX: DOOR CREAKS AND SLAMS

ORCHESTRA: SCARY CHORD HELD UNDER

Neddy: I said don't close the door

Eccles: I didn't close it

Bluebottle: I didn't as well. I don't like this game, I want to go back to London
                    town and see the pretty shops

Neddy: We must try another way out

FX: DOOR OPENED

GRAMS: SHEEP BAAING

FX: DOOR SLAMMED, GRAMS STOP

Neddy: Curse it! More sheep

Eccles: Where?

Neddy: In that room. Dint you hear them?

Eccles and Bluebottle: No

Neddy: You must have done, listen again

FX: DOOR OPENED, LONG SILENCE

Eccles: Oh yeah I can hear them now

Bluebottle: yes, so can I, I can really hear them, lots of sheepies

FX: DOOR SHUT

Neddy: But they weren't there that time. They weren't there, understand? I
             know, they've moved in to another room. That's it! They must be in
             here

FX: DOOR OPENED

GRAMS: WINDOWS BEING SMASHED

FX: DOOR SHUT

Neddy: No, that room's empty as well

Eccles: Let's try this room here

Neddy: Right

FX: DOOR OPENED

Neddy: Whoops! Sorry!

Wallace: I should think so, too!

FX: DOOR SHUT

Neddy: Old Greenslade having a bath. Fancy meeting him. It couldn't be!
             Eccles, you open that door and tell me if I'm seeing things

Eccles: Okay

FX: DOOR OPENED

GRAMS: FRED THE OYSTER (DONKEY NEIGHING, RASPBERRY)

FX: DOOR SLAMMED

Neddy: Who was that?

Eccles: Fred the Oyster

Neddy: Thank Heavens

Eccles: Here, look, this door, it's marked "Eccles"

Neddy: So it is

Bluebottle: Ooh you lucky thing, Eccles. Your name on the door! Tee-hee!
                    Are you going to go in?

Eccles: Well, um, yeah. Good-bye fellows

Neddy: Good luck, laddie

FX: DOOR OPENED, SHUT

Eccles: (on other side) Well... hello girls! Ho-hum! Thank you. Yeah, I'll have
               a piece of that chicken, yeah. Thank you, thank you, and a bunch of 
               grapes. Yeah... oh girls! Girls, girls! Ooh! It's good to be alive!

Bluebottle: Ooh, I wish I had a door with my name on it like that. Thinks:
                    Eccles is a happy-go-lucky lad

Neddy: Bluebottle, look! Bluebottle, this door has your name on it

Bluebottle: Has it?

Neddy: Yes

Bluebottle: Oh yes. B L E N ...  T M... Blumbintle. Yes, it has. Wipes mouth
                     with shirt tail and prepares to enter for the good things of life.
                     Speaks: Good-bye Mr. Seagoon, I hope that there will be a door
                     for you too. Enters own door

FX: OPENS DOOR, SHUTS IT

GRAMS: EXPLOSION, METAL AND BRICKS FALL TO GROUND

Wallace: And there we must leave the Goon Show for another -

Neddy: No no wait, you can't leave me alone in this house with a Yehti. Help!
             You can't leave me. Let's have a happy end, Greenslade. Greenslade?
             Wally?

Wallace: All right, don't fuss -

Neddy: Where's the door marked "Neddy"? Bluebottle's door, Eccles's door -
              what's this one? (gulps) "The Yehti". What should I do? If I could
              capture it all my troubles would be over. But how? How can I find a
              crate big enough? Wait a minute, quick as a flash I had the answer. It 
              was simple, lock the door (FX: KEY TURNED IN DOOR) and
              take the room to London. Ha-ha, I've got you! To London!

ORCHESTRA: DRAMATIC RISING LINK

Peter: Gentlemen of the East Acton Geographical Society, it's two weeks now
            and still no word from Neddy about this Yehti -

FX: KNOCKS ON DOOR

Peter: Come in

FX: DOOR OPENED

Peter: Well well well, we were just talking about you

Neddy: Well, I've got it. A Yehti. Help me to get this room in here

Peter: Is the Yehti in there?

Neddy: Yes, he's in there

Peter: Don't bother to bring the room in, we'll come out

Neddy: Right. Well, here it is. Now stand well back gentlemen, he may be
             armed

FX: KEY TURNED

Neddy: Now when I fling this door open be ready to grab him. Right!

FX: DOOR OPENED QUICKLY

GRAMS: TRAIN WHISTLE, COMES FLYING PAST

Neddy: Aaaaaaah!

ORCHESTRA: END THEME TUNE


Greenslade: That was the Goon Show, a recorded program featuring Peter
                     Sellers,
Harry Secombe and Spike Milligan, with the Ray
                     Ellington Quartet and
  Max Geldray. The orchestra was
                     conducted by Wally Stott, script by
Eric Sykes and Spike
                     Milligan, announcer Wallace Greenslade, the program
produced
                     by Peter Eton

ORCHESTRA: FINISH THEME TUNE AND PLAY OUT